21 September 2008
The second in a series of papers on liturgical matters, Unity and Music: Five Hills to Die On addresses five specific areas of concern as our church tries to find its way, musically speaking. It starts out like this…
One of the worst things about Christians is our tendency to feel that because everything is a matter of principle, everything is equally important. Consequently, we often waste time and resources fighting over trivial things when there are really serious issues in play. Nowhere is this more true than in church music. I have, to my considerable shame, been a combatant in some really stupid arguments over Read the rest of this entry »
27 July 2008
For my birthday, my darling wife bought me three presents: Cantus Christi, the accompanying CD set, and a 4-sermon series titled The Worship of the Saints. I’m going to review the first two here. The sermon series is definitely worth reviewing, but I’m still recovering from my shock. I’ll have to get to it later.
Cantus is a serious effort to recover psalm-singing in the church, as the proportion of the book devoted to the psalms demonstrates (196 out of 440 pages).
The single biggest challenge in psalm-singing is that while God gives us the words, He has not been pleased to preserve the original music. A saint who would sing psalms — as we are all commanded to do (Eph. 5:19, Col. 3:16, Jam.5:13) — must somehow come up with the music by which to sing them. Happily, this does not mean we have to write all the music ourselves.
Over the centuries, many saints have encountered this same challenge, and have written or adapted music for the psalms. Accordingly, Cantus is also a serious attempt to mine the wealth of the Western Church’s musical tradition. The music for the psalms relies heavily on the Genevan Psalter and other early Reformation musical sources, and the hymn tunes go back as far as A.D. 800. Psalm tunes include metrical songs (hymns that ordinary folks can sing without Read the rest of this entry »